Karl Marx
Being and NothingnessKarl Marx is invoked not through biography or political action but as the source of a compact philosophical doctrine: the priority of object over subject. In the book’s account, that doctrine names the serious attitude, in which a person treats himself as an object and obscures his freedom by imagining that he is merely the consequence of forces in the world.
Identity and Appearance
Marx enters the discussion briefly as a thinker whose assertion supplies a pointed formulation of seriousness. The text attributes to him the claim that the object has priority over the subject, presenting it as the original dogma of the serious. No further biographical detail, political episode, or personal characterization is supplied; his role here is intellectual and sharply delimited.
The Doctrine of Seriousness
The surrounding argument defines seriousness as beginning from the world and granting it greater reality than oneself. The serious person understands and values himself through his place in that world, much as its possessors do. In this account, Marx’s priority of object over subject gives that orientation its doctrinal form: the person takes himself for an object rather than recognizing himself as a subject capable of beginning something.
That objectifying stance has consequences for how action is understood. The serious person is preoccupied with what follows from an act because everything appears to be consequence and nothing appears to begin anew. The text connects this outlook to bad faith: freedom is concealed from oneself by presenting oneself as the product of the world. Marx’s proposition is thus used to illuminate a philosophical position, not to establish a broader account of Marx’s own views or intentions.
Contrast with Play
The discussion sets seriousness against play. Whereas seriousness thickens the world into an apparently independent order and makes the person seem subject to it, play begins with the person who sets its rules and accepts consequences only within those rules. Play therefore releases subjectivity and allows a person to apprehend himself as free, even as freedom may bring anguish. Against this contrast, Marx’s cited maxim marks the serious pole: the self is treated as an object belonging to the world, rather than as the origin of an activity whose rules it can establish.
